R$88,90
até 3x sem juros no cartão em pedidos
acima de R$ 400,00
Comentários
A importância do compositor Enrique Granados para a música para piano é conhecida. O ciclo Goyescas é um dos mais marcantes do repertório da passagem do século XIX para o século XX, com uma escrita repleta de cores já definida como “caudalosa” por um crítico. Mas há, nessa relação com o piano, outras histórias a ser contadas. E é isso que faz o pianista Pablo Matías Becerra neste disco, em que seleciona obras menos conhecidas do compositor. A começar por outro ciclo, Valses poéticos, composto na juventude de Granados, quando se muda para Paris a fim de finalizar seus estudos. É uma obra marcada, acima de tudo, pela transparência quase clássica e por jogos musicais que deveriam fazer dela presença constante no repertório dos pianistas. O mesmo pode ser dito das seis Cenas românticas. Se as valsas são obras da juventude, as Cenas foram escritas décadas mais tarde, mas mantêm o ardor da paixão romântica: diz a lenda que foram inspiradas pelos sentimentos que o compositor nutria por uma jovem pianista que participava de suas aulas de piano. Seja como for, elas nos sugerem outra faceta de Granados, que já no século XX dialoga com o piano de Chopin, revelando uma linguagem musical bastante pessoal. Um disco de belas descobertas.
Enrique Granados, the son of an army officer, received his musical education from the town bandsman, Captain Jose Junceda, until the family moved to Barcelona.
There he studied piano with Jurnet and later composition with Pedrell, the father of the nineteenth century nationalist movement in Spain. He earned his keep by playing in a café in the evenings.
At the age of twenty, Granados went to Paris to attend the Paris Conservertoire. Upon his return to his native country in 1900 he founded the Society of Classical Concerts, becoming their permanent conductor as well as appearing as soloist. In 1901, he founded the Pianoforte School which he named the “Academia Granados”, directing it personally for fifteen years, producing many distinguished performers. In addition, Granados pursued his concert career as a pianist appearing with great success all over Spain.
Granados’ most famous piano work is the suite Goyescas. However, this new recording presents some less familiar works by the Spanish master: the 8 Poetic Waltzes, the suite Escenas Romanticas and a variety of independent pieces, among which are “El Pelele” and the popular Allegro de Concierto, music of great charm, warmth, passion and pianistic glitter.
Played by Pablo Belgian pianist Pablo Matías Becerra, who is recognized for his insightful interpretations, distinctive sound and poetic sensibility.
Enrique Granados, the son of an army officer, received his musical education from the town bandsman, Captain Jose Junceda, until the family moved to Barcelona.
There he studied piano with Jurnet and later composition with Pedrell, the father of the nineteenth century nationalist movement in Spain. He earned his keep by playing in a café in the evenings.
At the age of twenty, Granados went to Paris to attend the Paris Conservertoire. Upon his return to his native country in 1900 he founded the Society of Classical Concerts, becoming their permanent conductor as well as appearing as soloist. In 1901, he founded the Pianoforte School which he named the “Academia Granados”, directing it personally for fifteen years, producing many distinguished performers. In addition, Granados pursued his concert career as a pianist appearing with great success all over Spain.
Granados’ most famous piano work is the suite Goyescas. However, this new recording presents some less familiar works by the Spanish master: the 8 Poetic Waltzes, the suite Escenas Romanticas and a variety of independent pieces, among which are “El Pelele” and the popular Allegro de Concierto, music of great charm, warmth, passion and pianistic glitter.
Played by Pablo Belgian pianist Pablo Matías Becerra, who is recognized for his insightful interpretations, distinctive sound and poetic sensibility.
Detalhes / Referência
Enrique Granados (1867-1916)
1. 8 Valses poéticos: Preludio
2. 8 Valses poéticos: I. Melodioso
3. 8 Valses poéticos: II. Tempo di valse noble
4. 8 Valses poéticos: III. Tempo di valse lente
5. 8 Valses poéticos: IV. Allegro umoristico
6. 8 Valses poéticos: V. Allegretto
7. 8 Valses poéticos: VI. Quasi ad libitum
8. 8 Valses poéticos: VII. Vivo
9. 8 Valses poéticos: VIII. Presto – Tempo di valse
10. Danza Española, Op. 37: II. Oriental
11. El pelele
12. Danza Española, Op. 5: XII. Arabesca
13. Allegro de concierto, Op. 46
14. Escenas románticas: I. —
15. Escenas románticas: II. Recitativo
16. Escenas románticas: II. —
17. Escenas románticas: III. —
18. Escenas románticas: IV. —
19. Escenas románticas: V. —
20. Escenas románticas: VI. —
Pablo Matías Becerra (piano)
1. 8 Valses poéticos: Preludio
2. 8 Valses poéticos: I. Melodioso
3. 8 Valses poéticos: II. Tempo di valse noble
4. 8 Valses poéticos: III. Tempo di valse lente
5. 8 Valses poéticos: IV. Allegro umoristico
6. 8 Valses poéticos: V. Allegretto
7. 8 Valses poéticos: VI. Quasi ad libitum
8. 8 Valses poéticos: VII. Vivo
9. 8 Valses poéticos: VIII. Presto – Tempo di valse
10. Danza Española, Op. 37: II. Oriental
11. El pelele
12. Danza Española, Op. 5: XII. Arabesca
13. Allegro de concierto, Op. 46
14. Escenas románticas: I. —
15. Escenas románticas: II. Recitativo
16. Escenas románticas: II. —
17. Escenas románticas: III. —
18. Escenas románticas: IV. —
19. Escenas románticas: V. —
20. Escenas románticas: VI. —
Pablo Matías Becerra (piano)
Ficha Técnica
Tipo de Produto | CD |
Selo/Editora | |
Número de Catálogo/ISBN | 5028421962283 |
Procedência | |
Peso de item | |
Data gravação | 2021 |
Data de Lançamento | 2021 |