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C.P.E. Bach: The Solo Keyboard Music Vol. 41
Miklós Spányi (tangent piano)
R$150,90
até 3x sem juros no cartão em pedidos
acima de R$ 400,00
Comentários
O organista, cravista e tecladista húngaro Miklós Spányi escolheu Carl Philipp Emmanuel Bach como objeto de estudo ¬– e tem se dedicado a ele e suas obras durante toda a sua carreira. Isso lhe permitiu não apenas conhecer a história e o tempo do autor, mas também ter uma familiaridade notável com seu estilo e sua linguagem musical, como fica evidente ¬¬¬– em termos de conceito e interpretação – em seu novo álbum. Ele escolheu como recorte obras escritas pelo compositor para outros instrumentos e arranjadas para teclado e, ao juntá-las, formou quatro blocos de peças que soam como estruturas contínuas. A criação para teclado é marcante na trajetória de Bach. Mas, como diz Spányi no encarte, é possível que muitas delas tenham nascido com outros instrumentos em mente e depois sido arranjadas pelo autor para atender à demanda crescente do século XVIII por música a ser tocada em ambientes sociais. Nesse sentido, o que ele nos propõe é outro olhar para o compositor. E o faz utilizando um piano tangente, instrumento criado no fim do século XVII, na tentativa de ampliar as possibilidades expressivas do cravo. Uma viagem pelo tempo guiada por uma sonoridade única e especial.
This album features solo keyboard arrangements of works by Carl Philipp Emanuel Bach originally scored for other instruments. In the second half of the eighteenth century the demand for keyboard music increased rapidly, as musical skills became a social requisite for young ladies of the upper classes. Providing compositions for these new keyboard players was financially profitable, but Bach also had another reason for welcoming arrangements: keyboard instruments were his favourite medium.
The seven short pieces on this well-filled disc all exist in versions for various small groups of instruments or, in some cases, for mechanical instruments. In his comments, Spányi suggests that they could in fact be the original versions, perhaps written down in keyboard notation as drafts for further versions, and later arranged by Bach on for various ensembles. Miklós Spányi has grouped these short pieces around four larger-scale works, of which two are arrangements of symphonies, probably not arranged by or for the composer himself. The solo keyboard arrangements of the two concertos, made by Bach himself and easier to play than the original concertos, were intended for amateurs. On this disc, Spányi uses an extremely versatile and colourful tangent piano, a very popular instrument in the second half of the 18th century. This particular instrument was built in 1998, after a model from 1799.
This album features solo keyboard arrangements of works by Carl Philipp Emanuel Bach originally scored for other instruments. In the second half of the eighteenth century the demand for keyboard music increased rapidly, as musical skills became a social requisite for young ladies of the upper classes. Providing compositions for these new keyboard players was financially profitable, but Bach also had another reason for welcoming arrangements: keyboard instruments were his favourite medium.
The seven short pieces on this well-filled disc all exist in versions for various small groups of instruments or, in some cases, for mechanical instruments. In his comments, Spányi suggests that they could in fact be the original versions, perhaps written down in keyboard notation as drafts for further versions, and later arranged by Bach on for various ensembles. Miklós Spányi has grouped these short pieces around four larger-scale works, of which two are arrangements of symphonies, probably not arranged by or for the composer himself. The solo keyboard arrangements of the two concertos, made by Bach himself and easier to play than the original concertos, were intended for amateurs. On this disc, Spányi uses an extremely versatile and colourful tangent piano, a very popular instrument in the second half of the 18th century. This particular instrument was built in 1998, after a model from 1799.
Detalhes / Referência
C.P.E. Bach: The Solo Keyboard Music Vol. 41: Keyboard Transcriptions II
Miklós Spányi (tangent piano)
Miklós Spányi (tangent piano)
Ficha Técnica
Tipo de Produto | CD |
Selo/Editora | |
Número de Catálogo/ISBN | 7318590023976 |
Procedência | |
Peso de item | |
Data gravação | 2024 |
Data de Lançamento | 2024 |