Tchaikovsky: Serenade For Strings, Op. 48

Em outubro de 1880, Tchaikosvky escreveu a sua mecenas Nadezdha von Meck sobre seu estado de espírito “um pouco agitado e ruim”. A carta trazia também a notícia de uma nova obra, uma serenata para cordas da qual falaria também em mensagem a seu editor Jurgenson: “Eu a amo terrivelmente”. O público tem se sentido da mesma forma desde então, com a peça como uma das mais adoradas do compositor. A leitura que dela oferecem os músicos da Baltic Chamber Orchestra, formada por músicos da Filarmônica de São Petersburgo, é tão especial que valeria o disco. Mas eles vão além, evocando outras peças para cordas do compositor e, em certo sentido, colocando a serenata em um novo contexto. Uma delas é o trecho da música incidental escrita por Tchaikosvky para o texto A donzela da neve; outra obra especial é um arranjo para cordas que Glazunov fez de uma peça escrita pelo compositor para homenagear os cinquenta anos de carreira do ator Ivan Samarin. A essas duas criações pouco conhecidas e profundamente belas somam-se o movimento que restou de um quarteto de cordas escrito na juventude e o terceiro movimento do Quarteto op. 30, também orquestrado por Glazunov. São peças tocantes, que trazem a marca do compositor: uma invenção melódica que trafega entre a esperança e a tragédia. Como a vida.

The centerpiece of this Tchaikovsky program is the famous Serenade for Strings Op.48. It was composed in September and October 1880, freely and without commission, a response – so Tchaikovsky wrote to his patron, Nadezdha von Meck – to feeling ‘somewhat restless and unwell.’ He said that the Serenade arose from an innate impulse ‘having the freedom to think’, as he wrote, and to his publisher Jurgenson: ‘I love this Serenade terribly..’ The premiere was given at a surprise concert for Tchaikovsky at the end of 1880 at the Moscow Conservatoire – the orchestra made up of students and professionals – and was first heard publicly the following year, since when it has become arguably the most popular of all works for string orchestra. Especially the Waltz gained “Music for the Millions” fame.

The other works on this disc present some rarities: the Melodrama Snow Maiden Op.12, the String Quartet Op posth. in B-flat minor arranged by Nikolai Brucher, Elegy to the Memory of J. Samarin, and the String Quartet Op.30 - III. Andante Funebre e Doloroso, arranged by Alexander Glazunov.

The Baltic Chamber Orchestra is made up of soloists of the Saint Petersburg Philharmonic Orchestra and was formed by the conductor Emmanuel Leducq-Barôme and the violinist Lev Klychkov early in the year 2000. The steady rise to prominence of the conductor Emmanuel Leducq-Barôme has shown the qualities of this exceptionally-gifted musician, who was admitted, at the age of 21, into the class of conductor Mariss Jansons at the St Petersburg Conservatory. Emmanuel concluded his studies there under the legendary pedagogue Ilya Musin. Their Richard Strauss CD received a Gramophone Editor’s Choice: "Rarely have I been as moved by Strauss's 'Study for 23 solo strings' ... as I was when listening to this richly-textured recording by the Baltic Chamber Orchestra. Although the chosen tempos are comparatively broad, Emmanuel Leducq-Barôme keeps you on edge of your seat, principally by achieving maximum tension at the crest of each phrase”.

Recorded June 2019 in St Petersburg, Russia.

World-premiere recordings of the Glazunov and Brucher string quartet arrangements. Booklet in English contains liner notes by English critic and broadcaster Robert Matthew-Walker, along with biographies of the musicians.